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Claire Holden's avatar

This is so thoughtful and interesting, Kate. It blows my mind to still see the fear of the word ‘feminism’. (And it rankles when that POV crops up and is widely restacked on Substack). And you’ve ably demonstrated here there are so so many ways that it can be presented through literature (and in life). Nothing radical required, just an observation of inherent inequality. I always say this when you offer up Rhys, but I must read further than WSS.

Kate Jones's avatar

Currently thinking a lot about Rhys and planning to re-read her novels soon. They aren't “difficult” in terms of length or themes but are sometimes dark. Good to break up with lighter novels I'd say! ‘Quartet’ is my favourite.

Kate Jones's avatar

Thanks, Claire. I know…I've never een able to figure it out either.

Kathleen Clare Waller's avatar

Spot on investigation! I’m far from a Rhys scholar, but I think that more generally, there is not enough placed on looking at fiction as mirrors of insight that we are to consider within a world rather then something with a clear message. Her work certainly questions and grapples with a woman’s place in society both personally and more generally. Thanks for this compelling read, Kate!

Kate Jones's avatar

Thanks, Kate! Yes, I think we can be too simplistic in our considerations of literary texts and meanings. It is always so much more nuanced.

Anna Tuckett's avatar

Very thought-provoking piece, Kate, thank you.

Kate Jones's avatar

Thanks Anna! Glad you enjoyed it 😊

Matthew Long's avatar

I haven't read any of her work although Wide Sargasso Sea has been on my TBR for ages. Thanks for this insightful profile Kate.

Kate Jones's avatar

Thanks Matthew!

Eleanor Jones's avatar

This is such a thought-provoking, well-written essay! I still haven’t read any of Rhys’ work, but she sounds like such an interesting writer and woman :)

Kate Jones's avatar

I need to get you reading her!!! So fascinating in her use of her own life as material.

Eleanor Jones's avatar

She’s on my (never-ending) list!

Kate Jones's avatar

Haha, I hear you…

Lucy Hearne Keane's avatar

Love this article Kate. I discovered Rhys in university in my English degree. I remember reading Voyage in the Dark and how exotic it seemed. I hadn't much experience of Caribbean themed literature back then. It was also a dark book. She appeared to have had a tough life, but was a very good writer.

Kate Jones's avatar

Thanks Lucy! Yes, a tough life that she used to feed her writing to powerful effect.

Gabrielle Mullarkey's avatar

A fascinating read on a Monday morning, thank you. Also got me thinking how many women qualify an opinion they're about to express with 'I'm no feminist, but...'

Kate Jones's avatar

Yes…I've encountered that, too.

Thanks for reading 😊

Jon (Animated)'s avatar

Such a good deep dive and so well written. Really broadens the thinking.

Kate Jones's avatar

Thanks! 😊

juliana, phd's avatar

This was so powerful, Kate. I haven't read Rhys myself, but your piece made me think of all the different kinds of "flawed" women we find in literature and whether it's fair to frame them through the ideal of feminism rather than the lived experience of womanhood in all its forms and shades. It seems to me that Rhys was more interested in creating "realistic" characters with all the good and, most importantly, the bad. To me, that's what a good fictional writer does!

Kate Jones's avatar

Thank you, Juliana! Yes, her work would sit well alongside a study of “flawed” female characters, of which there are many in literature. Rhys's work continues to fascinate me.

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Jan 12
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Kate Jones's avatar

Thank you for reading. Yes, I had struggled with that disconnect too. To create the work she did she was clearly intelligent and had more insight than her protagonists' appeared to convey. Cunningham's framing completely made sense to me when I came across it.